Showing posts with label wodb. Show all posts
Showing posts with label wodb. Show all posts

Thursday, 20 February 2020

Natural powers

I'm reading Designing and Using Mathematical Tasks by John Mason and Sue Johnston-Wilder, and liking it lots.

One thing I like is the discussion of natural powers. On page 74 they write:
The kinds of powers that are relevant for learning mathematics are ones that learners will have demonstrated by the time they arrive at school. Learners have innate ability to emphasise or stress some features and to ignore others, enabling them to discern similarity and difference in many subtle ways. They can also specialise by recognising particular instances of generalisations, and they can generalise from a few specific cases. In addition, they can imagine things and express what they imagine in words, actions or pictures, together with labels or symbols.
That's quite general itself, so I wanted briefly here to 'specialise', to think of a specific case, and how these powers might be evident in it. Taking one of my favourite routines, Which one doesn't belong?, how do these natural powers appear?

Let's look at this record of discussion with a Grade 2 (=UK Year 3) class:

Stressing and Ignoring
The image itself contains myriad possibilities for comparison, for finding the odd one out. As children contribute, they're stressing just one feature of the shapes, and ignoring the others for the moment. For instance, take that observation in the bottom right. In Triangle D, the coloured shapes are next to each other symmetrically. All other features have been momentarily blanked out or screened off. The student considers only the symmetry of the coloured shapes. They then have the challenge of flipping out of their focus, and hearing each other, focusing in with them on each new feature in turn.

Specialising and Generalising
Finding an odd one out involves finding a group whose elements share the same general property. When Patrik identifies the bottom left (C) as being different, he's seeing a general feature of the others that the coloured areas 'touch'. For his definition, he's including touching corner-to-corner as touching. Are students specialising from the generalities they identify? Perhaps as they check that the general property they notice is in fact exemplified by three of the triangles and not by another. It might also be interesting as follow-up to ask them to make other triangles which fulfill the general condition, or which don't.

Distinguishing and Connecting
Like the same-different routine, where the teacher asks of an image 'What's the same? What's different?', here I think the seed of an idea might well begin with noticing two images being the same in some way, or different in some way, and then checking the others. So, perhaps Manu looked at A and C and saw that, for both of them, their coloured shapes were not equal area. He compared with the others. D jumps out as having equal-area triangles. Antonio was talking about B, saying that he thought, but wasn't sure, that the two pink areas have equal areas. Manu thought not, which gave him three triangles without coloured shapses being equal. Only in D were they clearly equal.

Imagining and Expressing
Santi commented that D could be folded up to make a solid shape. I often find children imagine transformations with these shape-based images. They might imagine moving part of the shape round, or chopping part off, or filling in a concavity. They might imagine, as in this case, folding the shape. This makes me think, as transformations come up more than we seem to teach them, maybe we should be teaching them more. Anyway, in this case, Santi went off and found four Polydron triangles, connected them up like D and then folded them - and behold  - a tetrahedron! I'd taught most of these children two years before, so one student, B, and I recalled when she had made the same shape two years ago and been impressed that it could unfold into a different net than the one she started with.
About expressing, all of these students, almost all of them not first-language English speakers, found ways of explaining their idea. Sometimes the idea might be subtle or even opaque at first, but I've found that it's worth trying to listen and hear what they're saying, even if it seems at first not to be correct. (For more on that, see this post.) Hearing themselves and each other articulate their ideas is both a reminder or introduction to many mathematical perspectives and a celebration of bringing natural powers to bear!

Conjecturing and Convincing
Often children's contributions have an element of conjecture about them. They might not have double-checked; on closer inspection, one of the four images might have the property they thought it didn't have. So there's sometimes a little risk in making contributions. They are making claims. It's good to get used to doing this in this bite-sized way. They may need to justify the claim, again in a small way. 'You say B is not diagonal or straight. What do you mean by that?' Sometimes, there's a claim that could be debated and investigated further. One such is the claims made about triangle B by Antonio and Manu. Antonio claimed at first that the two pink triangles were equal-sized. He then changed his mind. Manu claimed they were different sizes. I chose not to spend time on this then, but with other classes we've investigated a similar claim further (blogged here).

Organising and Characterising
In a sense, when we play this game, we are mentally putting three shapes together and separating another. Sometimes students bend the rules a bit, and want to tell me when two fit in one group and two in another. For instance where Gustaw says that A and D do not have stripes. The students are sorting, finding a taxonomy for the four images in front of them.

§

Looking at these natural powers helps to anatomise some of the ways in which students are thinking when they perform this task, and in fact many tasks. It also helps to explain why I like WODB so much. On this occasion, every member of the class contributed. When I stopped, I had to promise the ones who still wanted to speak again that, even though the board was full, I would hear them while we got on with our next task, which was to construct quarters at our tables using a frame and tiles.
Image

Thursday, 9 November 2017

a realisation

I've had a realisation. Or maybe just a clearer picture of something that is 'in the air' anyway, or I sort of knew anyway. I'll need to go round the houses a little to say what it is.

We were looking at a 'Which one doesn't belong?' image, where children choose one of the four images that are different in some way to the other three, and, importantly, say how it's different.
HA said the bottom left shape doesn't point up so much. It seemed to point up quite a lot to me, and I told him so. But he was insistent, so I wrote it anyway.
Sarah wondered what he meant, and it made me go and find him and ask him to explain it to me slowly. He drew a bit more:
and explained that, if I understood rightly, the bottom right corner of that bottom left shape points downwards, and that kind of makes the whole shape less upwards-pointing.

I thought it was interesting that underneath the apparently simple idea of pointing upwards, other interpretations or meanings could lie. It just took a bit of digging.

It put me in mind of another WODB adventure from back in September...

A couple of posts back, I blogged about a pentomino Which One Doesn't Belong? and possible answers to it.
I mentioned, in error, something about concave and convex. I said the bottom right was the only convex shape, the rest were concave. Justin Lanier queried it
and it led to all sort of treasure. How would you be more precise about the intuitive idea of  convexness or of concavity? How would you measure it?

At first Justin, and Vincent, suggested the number of squares you'd need to add to one of the pentominoes to make it convex. I wondered about the same idea but with triangles. I found out that the shape this would create is called the 'convex hull'. Vincent went on to work out how convex the pentominoes were by the criterion of how much of their convex hull they filled:
I had another idea. What if you looked at the 'compactness' of the shape, perhaps looking at what proportion of it is within a same-area circle?
Justin then pointed us to an article, Convexity and Gerrymandering, that talks about all sorts of measures of shape compactness that reflect four essentially distinct characteristics of shape: elongation, indentation, separation, and puncturedness. That really struck me: essentially distinct ideas lurking under the surface of the intuitive sense of compactness or convexness! Ideas which could be measured in very different ways. The way the authors of the article chose was to take pairs of random points within the shape and see what proportion of times lines between those pairs of points fall entirely within the shape.
Rod then got thinking about how to calculate this theoretically, and then wrote some code to work it out experimentally:
The really striking thing in all this to me is this: you have a vague intuitive sense of how convex a shape is. You start digging. You see there are many different aspects of convexness that you could have in mind. How deep are the indents? What's their area? How stretched out is the shape anyway? And all sorts of other questions. Look at Vincent's and Rod's convexness results: they're different, they order the pentominoes differently, because they're looking at different measures of what being convex is.

Do you see how this links with what HA said?

Students, even 5-year olds like HA, have intuitions about mathematics. They might not link to the ideas on our own map, or trajectory for our students. But that doesn't mean that they aren't describing something that could be mathematised in some precise way, measured numerically. We may just need to question more, see it from another perspective.

HA may have meant (and I'm still not sure) something that could be expressed as: if from the centre of each shape we take the mean direction of all the acute angles, the house points up, the star nowhere and the bottom right points up. Only the bottom left points up and off to the right.

As Sarah quoted in her recent post:
  • All students have mathematical ideas worth listening to and our job as teachers is to help students learn to develop and express these ideas clearly.
  • Through our questions, we seek to understand student’s thinking.
So my realisation? 

Well, hopefully it's come through what I've written. That there is a whole wealth of mathematical interpretation of initial intuitions, that young students have them too, that we need to question and think through different perspectives if we are to honour these. That it's a wonderful and creative thing...

Friday, 15 September 2017

Pentominoes Which One Doesn't Belong?

I often ask my students to find all possible shapes made of five squares - the pentominoes. There are twelve of them. Another good task is sorting them into two groups according to some criterion.
source
I saw John Golden was getting students to do this.
And it made me think a Which One Doesn't Belong might be the thing to uncover other criteria for sorting. I made one with my wooden set at home.
What do you think? Which one is the odd one out and why?

Normally I don't think it's useful for me to propose answers, because what I value most of all in this task is the maths basic, creativity - looking for yourself and deciding for yourself how to compare them. It's this that makes me return to WODBs weekly.

But Christopher Danielson does something useful in his teacher guide to Which One Doesn't Belong? He gives the background to the shapes on each page of his shape book, and talks through likely responses.

You could run WODBs without knowing background. You could just record students' responses and it would still be useful. This is especially true if you're happy with uncertainty, thinking on your feet and coming back to things later; but it helps to have thought through the possibilities. You're more likely to understand what the students are seeing, and the significance of it.

So, let's touch on some of the responses you might have to this. I got lots on Twitter that helped me to see a lot more than I had before, thanks to Vincent Pantoloni, John Golden and his students, Becky Warren and Rod Bogart.
One of the nice things about using photos rather than drawings is that you get extra aspects you might not have been thinking about. In this case, the shapes are made out of straight strips of wood; you can see the joins. So you could sort them by how many strips are needed.

Symmetry: the ones on the right have no symmetry, the top left has one line of reflective symmetry, and the one on the bottom left has four lines of reflective symmetry, and order four rotational symmetry.

How many 'ends' are there? These are squares with only one neighbour. How many 'branches' are there? These start at squares with three or four neighbours. And is there a part where four squares are touching in a square? How long are any branches (or 'appendages', or 'limbs')? How long are the longest straight lines? How many pieces could you leave by removing one square?

Number of vertices. Number of side lengths. What size rectangle would it fit into?

Negative spaces: what shapes are left by the concave part of the shapes? In all but the top right, these concave shapes are isosceles triangles.

Convex/concave: The bottom right is the only convex shape; the others are concave.

[edit: Why did I write that - it's not true. Thank you Justin Lanier for noticing, and for helping me build something out of this. The bottom right is 'more convex' in some way; as Justin puts it, it has the 'least amount of notch'!
]

Perimeter: The bottom right pentomino doesn't have a perimeter of 12.

Orientation on the page/screen: the X is the only one lined up with the edges of the image.

Pentomino addition: You can think of pentominoes being made by adding a square to a tetromino.
The bottom left pentomino can't be made from the L-tetromino by adding a square. You could go back to trominoes and think which can be built from those.
I made another WODB with my classroom pentominoes:

'Seeing' the whole shape from inside it: If the shape were the shape of a room, is there a point you could stand in to see the whole room? Not for the W.

And there are no doubt plenty more. Maybe you could comment with other ways that you see?

It all goes to show that a simple image can be the starting point for students' own ideas - there are a lot to choose from, and they don't have to be second-guessing the teacher or the maker of the image.

Thursday, 12 January 2017

Reasoning with Which One Doesn't Belong

I do a 15-minute Which One Doesn't Belong session most weeks. I've blogged about WODB before, and I regularly tweet about it. Last year my Grade 3s were getting really expert. This year, my K3 (5,6 year olds) are all really into them.

Over Christmas my copies of Christopher Danielson's book and teacher's guide arrived. I've been enjoying the teacher's guide; there's a lot of background in there, and a lot of useful advice. I really recommend it. Christopher took the book through its paces with children of  all different ages, and despite the simplicity of the basic idea, there's a lot to think about in its execution.

Christopher looks at development as a geometer using the Van Hiele model:
A lot of my students' thinking is, not surprisingly, at Level 0. But there's also a fair bit of Level 1 emerging. And at Level 1 with WODB you start to get some great reasoning.

Today I used this one that I'd made:
All but one of the 22 students had at least one thing to say:
Christopher suggests using this kind of recording as a reminder, and spur to further thought:
"Simply writing a key word (square) or phrase (all angles the same) or sketching a quick diagram, or circling key features of the shape are all quick ways to maintain visible reminders of the unfolding conversation for everyone to access." (p30)
And it's making me think that I should keep these up, because there's a lot of things that need returning to and developing, and who knows at what pace and at what moment thoughts will come to people?

I made some low-res video of the session. Here's a few moments. In this one you can see one of the "it's like" observations, and also one that describes a property (the red one is the only one with one round bit).



Some of the "it's like" statements need further investigation:


Sometimes an observation of a property leads to a discussion about what exactly that property is, the sort of reasoning I really want to develop in my students:



So maybe we need to pin up that second sketch too, and come back to it?

Tweeting about moving from "it's like" to properties, I got some good advice from Christopher and from David Butler:
We also talked about when to introduce vocabulary. I'd be interested in ideas about how to develop this. How could this kind of lesson be extended in another lesson, maybe in smaller groups or individually? What, in all this is worth developing? What I think would really help my class is to  encourage everyone somehow to look for properties and reason about them. Ideas?